Photography by Amanda Zackem

Diane Pernet and A Shaded View on Fashion present the first annual fashion, beauty and style film festival October 7, 8, 9th, 2011 at the Centre Pompidou in Paris. View trailer after the jump. [SEE MORE...]

Photography by Jonathan Leder

Sculptor Jean-Marc Laroche shares with us his fantasy of eternal life with the installation, “Lovers from the Hereafter,” featuring intertwining skeletons embracing one another. The installation will be on view at the Museum of Sex in New York beginning October 5th, 2011 and includes two human-sized sculptures made of varnished resin and jointed with an invisible steel framework – an effect which resembles real bones. With regards to the “Lovers from the Hereafter” sculptures, Jean-Marc said, “They are themselves quite joyful and they thumb their noses at death and present the afterlife as a roll in the hay.” Throughout his career as a sculptor, he has created several erotic, sensual works, which have been brought together for this installation. Born in Paris in 1959, Jean-Marc Laroche began his career as a sculptor in the early 1990s.

See music video after the jump. [READ MORE...]

“A dame that knows the ropes isn’t likely to get tied up.” photo by RORY DCS

Vegas, Venturi, Scott Brown and Associates, 1966

Wet Magazine, April Greiman and Jayme Odgers

Of all movements in art and design history, postmodernism is perhaps the most controversial. This era defies definition, but it is a perfect subject for an exhibition. Postmodernism was an unstable mix of the theatrical and theoretical. It was visually thrilling, a multifaceted style that ranged from the colorful to the ruinous, the ludicrous to the luxurious. What they all had in common was a drastic departure from modernism’s utopian visions, which had been based on clarity and simplicity. The modernists wanted to open a window onto a new world. Postmodernism, by contrast, was more like a broken mirror, a reflecting surface made of many fragments. Its key principles were complexity and contradiction. It was meant to resist authority, yet over the course of two decades, from about 1970 to 1990, it became enmeshed in the very circuits of money and influence that it had initially sought to dismantle. Postmodernism shattered established ideas about style. It brought a radical freedom to art and design, through gestures that were often funny, sometimes confrontational and occasionally absurd. Most of all, postmodernism brought a new self-awareness about style itself. Postmodernism: Style and Subversion 1970 to 1990 is on view until January 15 at the Victoria & Albert Museum in London.

MANIAMANIA’S Spring 2012 Collection, ‘The Third Mind’ channels the dreamlike spirit and unpredictable visual collisions of the surrealist age. Free from the constraints of rational thought, the collection is constructed in ways that allude to the Exquisite Corpse technique – whereby words and images are collectively assembled and relish an absence of control. The range moniker pays homage to The Third Mind, a 1978 book and concept by William Burroughs and Brian Gysin, which showcased the ‘cut ups’ technique originating from the Surrealists – a form later adapted to film making by Kenneth Anger and Maya Deren. In this mode, unrelated texts and images where literally cut up and rearranged to form radical narratives and vistas. The concept signifies a shared consciousness and creative output, only reachable by two or more people; a place neither could reach alone. In MANIAMANIA tradition, primary metals and natural stones are transfigured. ‘The Third Mind’ meshes Brass and Sterling Silver with Pyrite crystal stone, Amethyst and Tourmalinated Quartz in a series of exquisite forms and symbols to free ones self from time and convention. This fourth range from MANIAMANIA expands with extensions on signature best sellers from the Immortals series, including a Limited Edition exclusive ‘Abbey Lee Ring’, inspired by modern muse Abbey Lee Kershaw. Collaborating with filmmaker, Elle Muliarchyk and featuring Abbey Lee for a second season, a three part series of short films and campaign images were created using artful techniques of the avant-garde. This included a set built of a life size kaleidoscope which created hypnotic repeat mirror imagery which looks as technical and modern as the digitally mastered alternative, but has tell tale realism of warped angles and beautiful accidents; elements also achieved within MANIAMANIA’s ‘Third Mind’ collection. View film after the jump. [SEE MORE...]