Guidepost to the New Space by Yayoi Kusama
Exhibition view of Yayoi Kusama’s Guidepost to the New Space. To mark Kusama’s retrospective at the Whitney, the Museum has collaborated with the Hudson River Park Trust and Gagosian Gallery to present a special art project near the Whitney Museum’s new building site in the Meatpacking District.
Elad Lassry for the High Line
Elad Lassry, Women (065, 055), 2012. Part of HIGH LINE BILLBOARD. Installation view, Edison Properties, West 18th Street at 10th Avenue, New York. On view August 1 – September 7, 2012. Photograph by Austin Kennedy. Courtesy of Friends of the High Line.
S OM EWHER E
Installation view of Patrick Carpentier’s piece, Somewhere, at the 8th annual Biennial of Photography and Visual Art of Liège
Sophie Calle’s Address Book Published For the First Time
Never before published in its entirety in English, The Address Book is a key and controversial work in Sophie Calle’s oeuvre. Having found a lost address book on the street in Paris, Calle copied the pages before returning it anonymously to its owner. She then embarked on a search to come to know this stranger by contacting listed individuals—in essence, following him through the map of his acquaintances. Her written accounts of these encounters with friends, family and colleagues—juxtaposed with Calle’s photographs—originally appeared as serial in the newspaper Libération over the course of one month in 1983. As the entries accumulate, so do the vivid impressions of the address book’s owner, Pierre D., while also suggesting ever more complicated stories as information is gifted, parsed, and withheld by the people she encounters.hen Pierre D. learned about the work and its appearance in the newspaper, he threatened to sue (and demanded that Libérationpublish nude photographs of Calle as a reciprocal invasion of privacy). Calle agreed not to republish the work until after his death. Part conceptual art, part character study, part confession, part essay, The Address Book is, above all, a prism through which desire and the elusory, persona and identity, the private and the public, knowledge and the unknown are refracted in luminous and provocative ways. Published like an actual address book, Calle’s The Address Book will officially be available on October 31, 2012, but is available for preorder on Siglio Press now.
Can’t Buy Me Love, Or Can You?
You probably haven’t heard the one about the artist and the Russian millionaire sitting at a bar, right? No, you probably haven’t. If you happen to be in New York City please kindly check your wallet – any recent single dollar bills you might have received as change might be a collectable piece of artwork worth up to $2,000. Artist Skye Nicolas’ curious new series, featuring a small heart with the words “Buy Some Love” stamped on a U.S. dollar bill, is currently circulating through Manhattan. These specially marked dollar bills are being collected and swooped up by the likes of art collectors and notable fashion personalities. So, the one about the artist and the Russian – an allegory on Nicolas’ website describes a little more about the series: “An artist and a wealthy Russian art collector were having drinks at a hotel bar after having attended an art auction earlier that evening. Upon paying for their beverages, an unusual [SEE MORE....]
The Life and Times of David Wojnarowicz
In December 2010, the National Portrait Gallery in Washington made headlines when it responded to protests from the Catholic League by voluntarily censoring an excerpt of David Wojnarowicz’s A Fire in My Belly from its show on American portraiture. Why a work of art could stir such emotions is at the heart of Cynthia Carr’s Fire in the Belly: The Life and Times of David Wojnarowicz, the first biography of a beleaguered art-world figure who became one of the most important voices of his generation. Wojnarowicz emerged from a Dickensian childhood that included orphanages, abusive and absent parents, and a life of hustling on the street. He first found acclaim in New York’s East Village, a neighborhood noted in the 1970s and ’80s for its abandoned buildings, junkies, and burgeoning art scene. Along with Keith Haring, Nan Goldin, and Jean-Michel Basquiat, Wojnarowicz helped redefine art for the times. As uptown art collectors looked downtown for the next big thing, this community of cultural outsiders was suddenly thrust into the national spotlight. The ensuing culture war, the neighborhood’s gentrification, and the AIDS crisis then devastated the East Village scene. Wojnarowicz died of AIDS in 1992 at the age of thirty-seven. Carr’s brilliant biography traces the untold story of a controversial and seminal figure at a pivotal moment in American culture. Available now.
L’Enfant Terrible Adam Cullen Dead at 46
L’Enfant terrible Australian artist Adam Cullen is dead at 46. He had stated that he had painted to the music of punk bands such as the Meat Puppets, Black Flag and the Butthole Surfers. Cullen painted such things as dead cats, ‘bloodied’ kangaroos, headless women and punk men, many of which represent what he termed “Loserville”.
Artist Ian Deleon Wearing a Pas Un Autre Youth Tee in China
Artist Ian Deleon at the Final Red Gate Residency Open Studio Exhibition in Beijing China wearing the Pas Un Autre Youth Tee.
Julia Randall’s New Bubble Gum Series
Detail from New York based artist Julia Randall’s new series of paintings of chewed bubblegum called Blown.
Mark Flood @ Luxembourg & Dayan
Exhibition view of Mark Flood’s The Hateful Years @ Luxembourg & Dayan, the first survey ever devoted to Flood’s seminal work of the 1980s, on view until September 12, 2012.