Bruce LaBruce Bruce(X)Ploitation book signing and performance last night at the Hole Gallery in NYC
Maurizio Cattelan and Pierpaolo Ferrari’s highline billboard in NYC on view until June 30. Photograph by Scott Lynch
The DIA (Detroit Institute of Art) will present the first American museum exhibition to focus on the photography of artist, poet, and performer Patti Smith. Smith’s photographs are infused with personal meaning and highlight the rich relationships between art, architecture, poetry and the everyday. This selection of images from the past decade reveals the artists, poets, authors, family and friends from whom Smith draws inspiration. The exhibition includes 70 black and white gelatin silver prints and a small selection of original Polaroids and items from Smith’s personal collection. Patti Smith: Camera Solo will be on view from June 1st to September 2, 2012 at the DIA, 5200 Woodward Avenue, Detroit, Michigan
Gagosian Gallery is presents Picasso and Françoise Gilot: Paris–Vallauris 1943–1953, the fourth major exhibition in an ongoing series on the life and work of Pablo Picasso at the gallery. This exhibition is a departure from its precedents in that it has been conceived as a visual and conceptual dialogue between the art of Picasso and the art of Françoise Gilot, his young muse and lover during the period 1943–53. The result of an active collaboration between Gilot and Picasso’s biographer John Richardson, assisted by Gagosian director Valentina Castellani, Picasso and Françoise Gilot celebrates the full breadth and energy of Picasso’s innovations during these post-war years. On view until June 30, 980 Madison Avenue, New York, NY 10075
Marlborough Chelsea is pleased to present Wherever You Go, a solo exhibition of new work by Ari Marcopoulos. Often atmospheric and abstracted, the works comprising Wherever You Go by renowned photographer, filmmaker and artist Ari Marcopoulos include grandly-scaled pigment prints and smaller photographs on rice paper that, through the processes of multiple printings of the same image, result in lush surfaces of densely textured black and white. On view until June 15, 2012. Marlborough Chelsea, 545 West 25th Street. Photograph by Austin McManus
Beauty Is Embarrassing is a funny, irreverent, joyful and inspiring documentary featuring the life and current times of one of America’s most important artists, Wayne White. Raised in the mountains of Tennessee, Wayne White started his career as a cartoonist in New York City. He quickly found success as one of the creators of the TV show, Pee-wee’s Playhouse, which led to more work designing some of the most arresting and iconic images in pop culture. Most recently, his word paintings, which feature pithy and often sarcastic text statements crafted onto vintage landscape paintings, have made him a darling of the fine art world. Beauty Is Embarrassing is currently screening is select cities.
“Play it loud & enjoy.” The Jullien Brothers have released a new video featuring the music of Niwouinwouin, aka Nicolas Jullien. The video is directed by Jean Jullien and his brother Nicolas who together make up the creative duo. The video features illustrations from Jean Jullien’s book Silhouettes published by Lendroit.
These are the last few days to catch Claude Cahun’s firs retrospective in the states. Born Lucy Schwob to a family of French intellectuals and writers, Claude Cahun (who adopted the pseudonym at age 22) is best known for the staged self-portraiture, photomontages, and prose texts she made principally between 1920 and 1940. Rediscovered in the late 1980s, her work has not only expanded our understanding of the Surrealist era but also serves as an important touchstone to later feminist explorations of gender and identity politics. In her self-portraits, which she began creating around 1913, Cahun dismantled and questioned preexisting notions of self and sexuality. From her university years until her death, Cahun was accompanied by her partner and artistic collaborator, Suzanne Malherbe, a childhood friend and stepsister. They surrounded themselves with members of the Surrealist movement and created work that embraced leftist politics. Cahun, with assistance from Malherbe (under the pseudonym Marcel Moore), produced photographs, assemblages, and publications from the 1920s on. The photograph Entre Nous (Between Us), featuring a pair of masks embedded in sand, gives the title to this show and is emblematic of their multifaceted relationship. The first retrospective exhibition in the United States of Cahun’s work, Entre Nous: The Art of Claude Cahun, is on view now at the Art Institue of Chicago, brings together over 80 photographs and published material by Cahun and Moore, including several photomontages from their 1930 collaborative publication Aveux non avenus (Disavowals), and the only surviving object by Cahun, which is in the Art Institute’s permanent collection. On view until June 3, 2012.