Rebel on Certosa Island
Appropriated Imagery: Richard Prince + Jackson Pollock
Guild Hall of East Hampton presents Richard Prince “Covering Pollock” featuring 27 new works that are focused on Jackson Pollock, a leader of the Abstract Expressionist group. Richard Prince uses appropriation to distill and disrupt America’s compulsive fascination with iconic brands, fame, and lifestyle. This is the first public viewing of “Covering Pollock” and the first museum exhibition of Richard Prince’s work on Long Island. On view until October 17.
[EXHIBITION] Frida Kahlo and Diego Rivera
The two most famous artists to have come from Mexico, the lives of Frida Kahlo and Diego Rivera have attained a mythological status. A major touring exhibition, which comes first to Chichester from Istanbul and Dublin, brings together works by Frida Kahlo and Diego Rivera for the first time ever in the UK. On view now until October 9 at the Pallant House Gallery in Chichester, U.K.
Pornography and Motherhood
Madison Young isn’t your average pornstar – she’s an artist, a feminist, and a sexual educator. Young, born Tina Butcher, caused uproar when she exhibited a show, entitled Becoming Milf, at her gallery Femina Potens Art Gallery, that explored her own new found motherhood, as well as the societal myths and stereotypes of motherhood. The above photograph caused such a controversy that some accused Young of pedophilia. “I’m brand new to motherhood. My little girl is only eight weeks old right now. I’m sure that sharing my life with my daughter will inspire, influence and affect my work in different ways as she gets older. Right now, as the mother of a newborn, one of my greatest challenges is time. I’ve always tried to balance more than is humanly possible in a day but now I have a tiny little being who needs and demands my attention 24/7. I’ve had to really prioritize what areas of my life I need to be giving my energy to right now. I’ll be working mostly local for at least Emma’s first year, and if I decide to take out of state or country gigs next year then it will be a family affair. I take Emma along with me whenever I can, such as to university speaking engagements and to the art gallery, and Daddy watches Emma during the more adult-oriented work experiences.”
Reflections within a Jeff Koons Sculpture
Venice, Italy. Photography by Adarsha Benjamin
[Excerpt] An Interview with Bruce LaBruce
Bruce LaBruce is a filmmaker, an artist, and a pornographer, and underneath the blood soaked sheets and layers of half rotting flesh of the undead he is one of the greatest auteurs and romantics of the last few decades. I was able to ask Bruce a few questions and we talked about important topics such as his childhood in rural Canada, the alternative gay movement, sex in art, and a few of his current and upcoming projects, including his film L.A. Zombie Hardcore, a documentary on the artist himself entitled The Advocate for Fagdom by French filmmaker Angelique Bosio, and a short film involving two female to male transexuals which will premier at the Berlin Porn Festival this October.
You wrote a memoir called the reluctant pornographer – what does pornography mean to you? Well, lately I’ve been saying, which has sort of gotten me in trouble, because lately I’ve been calling myself a pornographer and saying I express solidarity with pornographers – that all pornography is art, really, because its a form of creative expression, its the mediation of reality, its made by people who use the tools of cinema, or making art, so why shouldn’t it be considered art as well? There’s good art and there’s bad art and there’s good pornography and there’s bad pornography, but its all sort of an artistic expression as far as I’m concerned.
How important is sexuality in art or expressing sexuality through art? For me personally, sex has always been an engine behind my work, both in terms of representing and in terms of making it, on a personal level, but I think the sexual and the creative drives are very much linked, but on the other hand I know people who are relatively, or fairly, or completely a-sexual who have very strong artistic drives, so I don’t think that’s necessarily the case for everyone. Certainly with the gay movement was always based on that kind of sexual engine as well, which for me is yet another reason why, for me, the assimilation movement, which tends to be more domesticated and kind of based on ideals of monogamy borrowed from straight culture – it kind of dissipates the energy of the gay movement in my opinion. Yeah, sex is so ubiquitous in pop culture and advertising that its kind of hard to ignore it as an artist.
Do you think its more ubiquitous now than it has been? Well, I think that whats been happening in the last ten to fifteen years is that violence supplanted sex as the main driving force of popular fetish and popular advertising and certainly the media news sells violence and death in a very titillating kind of sexualized way – which is kind of creepy.
Full article and interview coming soon…..
Text by Oliver Maxwell Kupper for Pas Un Autre
Chasing Shadows by Santu Mofokeng
They are strewn like litter across the floor in my office. Others are kept in cabinets, and a few are in frames. Whatever lies, deceptions or promises brought them into being, I wonder. I am referring to the products of my gaze, refracted and reflecting, somewhat muted, not unlike light dancing on the surface of the dirty puddle that is my memory: Images of people in moments of contemplation, performance, confrontation and perhaps celebration. My exploration and participation in the fictions we call relationship and community. And of environments, real and imagined. Insignificant experiences, selected and isolated from tedium, moments reduced to mere appearances, simply as surfaces reflecting light, arrested and stored in the long memory of film. A brooding corpus of so many episodes remembered and forgotten. (Read More…)
GLEE Curated by Cecilia Alemani
Blum and Poe gallery in Los Angeles presents Glee, a group exhibition curated by Cecilia Alemani featuring Michele Abeles, Shannon Ebner, Sharon Hayes, Tobias Madison, Kaspar Müller, Virginia Overton, Joan Semmel, Andra Ursuta, Jakub Julian Ziolkowski. The exhibition Glee brings together artworks by nine artists from different generations, working in both America and Europe. Glee is an exhibition informed by a synthetic look; a show in which works appear coated in a shiny patina charged with a startling artificiality. Imbued in an atmosphere of joyful madness, the exhibition is agitated by a strange, at times erotic, tension. Simultaneously affected and sincere, superficial and deep, pop and rotten, the selected works share a blissful and seductive presence that can hide an incumbent sense of tragedy. Glee will be on view until August 27 at Blum and Poe.
Carlo Mollino: Un Messaggio dalla Camera Oscura
Born into a Turin architect and civil engineer’s family, Carlo Mollino studied art history and architecture and made a name for himself as a skier, racecar driver and aerobatic pilot, as an author and photo artist. Yet his international renown is primarily based on his work as a designer of furniture and exclusive interiors in the spirit of the gesamtkunstwerk – the German philosophy of total art. His organic language of forms was not least inspired by the form of the female body – as particularly evidenced by the part of his photographic work he always kept private: over 1,000 Polaroids portraying beauties of Turin’s night life in the nude in mise-en-scène settings. The pictures were part of the preparation of his “House for the warrior’s rest” (today: Casa Mollino), a villa in Turin on the Po River. An exhibition, opening at this month at the Kunsthalle Wien in Vienna, will juxtapose furnishings of the villa with a selection of these Polaroids for the first time. It explores the boundaries and bridges between this universal artist’s male erotic imagination and his intellectual and artistic attitude. On view at the Kunsthalle Wien from August 31 to September 25.
Cris Cleen Works