Fool’s Gold are gearing up for the release of their sophomore album, Leave No Trace, out August 16 on IAMSOUND. You’ve heard album track, “Street Clothes,” and now they are sharing with you one of Leave No Trace’s brightest and most “LA” tunes, “Wild Window.” Like a tightly coiled spring, the song bounces along, showcasing singer Luke Top’s passionate vocals and guitarist Lewis Pesacov’s signature tone and playing style, equally influenced by African guitarists as well as the likes of Johnny Marr and Robert Smith.
Drummer from the Beach Fossils Cole Smith remixes Caged Animals’ single Girls on Medication
Vanity Is Forever, being released September 27th via Chapter Music, is Crayon Fields frontman Geoffrey O’Connor’s first album under his own name, and his most ambitious, dynamic and sophisticated work yet. O’Connor’s fractured romantic reflections and lustful tributes play out over vast synthscapes, colossal stadium drums and flanged orchestral sweeps, creating a world that is at once ethereal and strikingly vivid. With a combination of restraint and fearless abandon, O’Connor embraces the conflicts of modern love in a manner as ambiguous as it is blunt, and as shameless as it is generous. His songs indulge in ecstasy, love, pride, failure and all the glamorous contradictions they become. He is both an adult with a juvenile mind, and a geriatric in the body of a young man. Painstakingly refined over two years, Vanity Is Forever is O’Connor’s most fully realized album to date, an epic pop melodrama that shifts seamlessly between seductive high-production dance hits, suave funk joyrides and modern synthetic power balladry. Recently, O’Connor has mesmerized audiences with an extravagant live show of dueling synthesizers, lasers, light sculptures and hypnotic projections. His diverse solo output – under both his own name and previous solo moniker Sly Hats – has seen him handpicked to support the likes of Fleet Foxes, Jens Lekman, School Of Seven Bells, Andrew Bird and First Aid Kit. In addition, O’Connor will release a series of steamy clips to realize his soap opera dreams. View a taste of what’s in store with a trailer for Vanity Is Forever.
“In the year of the saxophone, Santa Barbara’s Gardens & Villa give us the flute. And along the way, Gardens & Villa effectively wipe clear the vaseline from the murky bedroom funk of recent days. Gardens & Villa bang out instant classics — each crystal clear and immaculate, but no less sweeping or languid. Their debut is a youthful exploration of just how opulent and pop starkness can go.” Gardens & Villa continue on their North American tour as they wrap up dates with Foster The People and head out with Generationals, followed by shows with Craft Spells. Gardens & Villa’s debut LP is out July 5 on Secretly Canadian.
Gardens and Villa “Star, Fire, Power”
Thurston Moore Playing with Pillow Wand
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Thurston Moore of Sonic Youth at the Solid Sound Festival in North Adams Massuchessets. Look out for his new album Demolished Thoughts. Photography by Oliver Maxwell Kupper for Pas Un Autre.
HTRK’s Ghostly International debut ‘Work (work, work)’ is a flat-lined study of desire and submission, sentimentality and dysphoria. The London by way of Berlin and Melbourne art-rock duo (pronounced “Hate Rock”) finished the album’s production while grieving the sudden loss of founding member and bassist Sean Stewart to suicide in March ‘10. And while that tragedy has certainly found its way into the music’s bottomless sonic void, ‘Work (work, work),’ written from 2006-10 in Berlin and London, is about much more than abject darkness. Much, much more.
HTRK ‘Eat Yr Heart’
Taken from forthcoming album ‘We Must Become The Pitiless Censors Of Ourselves’ released this June on Upset The Rhythm / Ribbon Music.