Matt Fry has been taking pictures for only a few years, but his photographs already have a stunning amount of depth and poetic introspection. Like angels trapped languidly in celluloid, Fry’s subjects are idols of film’s beautiful imperfection – overexposed, underexposed, light flares, polaroid tears and all. Fry, who is based in the Echo Park neighborhood of Los Angeles, has perhaps found his calling with photography and, like an analog junkie holding on to a fading, beautiful dream, spends all his money on film. However, it might soon all be worth it. With fashion brands knocking on his door, Fry is a photographer on the rise. Pas Un Autre caught up with Fry for a very interesting tete-a-tete about his inspirations, aspirations and how he got into the photography racket in the first place. Read interview and see more photos after the jump. [SEE MORE....]
An image from Terry Richardson’s new show Terrywood, which opens tomorrow at OHWOW Gallery in Los Angeles.
For the last 30 years Roxanne Lowit has been taking backstage and nightlife photographs of some of the biggest luminaries in the world of fashion, culture and art. Lowit started taking pictures in the late 70s with her Kodak 110 Instamatic, photographing her own designs at New York fashion shows. She was soon covering all designers in Paris where her friends — models like Jerry Hall — would sneak her backstage. It was there that she found her place (and career) in fashion. On view now at the members only Parlor Club in New York, where Lowit recently celebrated a birthday, are 26 of her photographs and coming up at the Moscow Museum of Modern Art in April she will have her firs solo show in Russia. See more photographs after the jump. [MORE....]

Selections from the book – email correspondence between Gabe Nevins and Harmony Korine
Nick Haymes first met Gabe Nevins on an editorial assignment in the summer of 2007. Gabe had just wrapped up his lead role in Gus Van Sant’s Paranoid Park, in which he had played a teenage skateboarder who accidentally kills a security guard. Gabe had never acted prior to starring in the film; he had heard about Van Sant’s casting call from a skateboard store and initially auditioned as an extra. Meeting the teenager, Haymes recalls: “Initially, Gabe was fairly shy, but it quickly transpired that he had seen some of my skateboarding images online and an instant friendship was struck. When the assignment was over, I approached Gabe about the possibility of working on more photographs as there was something entirely captivating about him and his energy.” A new volume, published by Damiani Editore, tracks the highs and lows of Gabe’s teen years, from stardom to emotional breakdown and homelessness. On Wednesday, March 1st, from 6.00 to 8.00 pm, Haymes will be signing the volume at Dashwood Books in NYC.
Linn’s images of Patti Smith range from the vulnerable to the iconic, focusing on shifting influences and relationships with artists such as Robert Mapplethorpe and Sam Shepard. The black-and-white photographs capture Smith in the intimate and grainy atmosphere of a bygone New York when Smith–a struggling poet, pre-rock’n'roll–agreed to pose for Linn. A new exhibition, entitled Patti Smith: 1969-1976, of photographs by Linn opens at LUAG (Lehigh University Art Galleries) February 20 and runs until May 25, 2012. 420 E. Packer Avenue Bethlehem, PA










