Collage by Matt Wisniewski,Untitled from “Wreckage,” 2011

1300
by Nina Ljeti

6 months and 13 days,
Threw my heart out the window
Cause the truth is scary,
The future even more, so
I Pick up a bottle-
Hello old friend-
Let’s take off to the moon.
It’s a place inhabited by
Beautiful men, music,
Cigarettes, French films,
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Jules Supervielle (1884-1960) was born to French parents in Montevideo, orphaned within a year of his birth, and grew up in Uruguay and France. He spent the Second World War exiled in Uruguay, afflicted by ill health and financial ruin. His poems are dreamlike, often gently fantastical, imbued with an appealing surface clarity. His work stands apart from much 20th-century French poetry, and he has been characterized as a writer of Basque descent who wrote in French but in the Spanish tradition, with a strong affinity for the open spaces of his South American childhood and nostalgia for a cosmic brotherhood of men. In many respects he seems our contemporary, a writer of highly personal poems as well as poems concerned with war and the environment. A new collection of Supervielle’s poems have been collected in a new book published by Bloodaxe Books entitled Homesick for the Earth. [Purchase here]

Eugenio Montale is universally recognized as having brought the great Italian lyric tradition that began with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi’s versions of Montale’s major works—Ossi di seppia, Le occasioni, and La bufera e altro—are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. A new collection of poems by Montale, compiled for a new book, offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets. [purchase]

Guillaume Apollinaire – whose writings ranged from plays to experimental poetry, from art criticism to erotica – was at the heart of literary and artistic life in early 20th-century Paris. Both his work and his flamboyant personality had a defining influence on the development of Surrealism, Dadaism and other artistic movements. In late 1914 Apollinaire swapped the high life of avant-garde Paris for the mud and desolation of war in the trenches. But his poems of this period are wholly different from those that for English readers have come to define the genre of war poetry: exploding shells are compared to champagne bottles, and juxtaposed with the orgy of destruction are nostalgia for antiquity, impatience for the future, melancholy and exuberance. Apollinaire died in 1918. The new translations in this bilingual edition, entitled The Little Auto comprise mostly poems written after 1914, but include ‘Zone’ (in the first English version since Samuel Beckett’s to match the original’s use of rhyme) and some other pre-war poems. A century later, they remain as daring and alive as when they were written. [purchase]

Tomas Tranströmer’s new collection of poetry, entitled The Deleted World, is a short selection of haunting, meditative poems from the winner of the 2011 Nobel Prize in Literature. Tomas Tranströmer can be clearly recognized not just as Sweden’s most important poet, but as a writer of international stature whose work speaks to us now with undiminished clarity and resonance. Long celebrated as a master of the arresting, suggestive image, Tranströmer is a poet of the liminal: drawn again and again to thresholds of light and of water, the boundaries between man and nature, wakefulness and dream. A deeply spiritual but secular writer, his skepticism about humanity is continually challenged by the implacable renewing power of the natural world. His poems are epiphanies rooted in experience: spare, luminous meditations that his extraordinary images split open—exposing something sudden, mysterious, and unforgettable. [purchase]

Roman Poems by Pier Paolo Pasolini, published by City Lights Books.  A much-appreciated gift from Dustin Lynn.

“Like A Cigarette Kissing Kerosene” – poetry by Shane Coffey

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Paul Verlaine

Nineteenth-century French poete maudits (accursed poets — poets who lived outside or rebelled against society), such as Charles Baudelaire, Paul Verlaine, Arthur Rimbaud and Comte de Lautreamont, have inspired numerous artists of various eras. An exhibition in Japan showcases etchings and prints of 20th-century artists, including Maurice Denis, Salvador Dali and Roberto Matta, who celebrated such French poetry. On view are around 180 works, including Matta’s interpretation of Rimbaud’s “Une Saison en Enfer” and a copy of de Lautreamont’s “Les Chants de Maldoror,” which inspired print works by Bernard Buffet as well as illustrations by Dali. On view until August 7 at the Machida City Museum of Graphic Arts, (042) 726-2771, 4-28-1 Haramachida, Machida-shi.