photograph by Javier Ferrer Vidal
Baroness Philippine Mathilde Camille de Rothschild and Jeff Koons for his collaboration with the Mouton Rothschild wine label. Koons follows in the footsteps of other artists who have also created labels, like Pablo Picasso and Andy Warhol. photograph by Bertrand Rindoff-Petroff
In collaboration with yoox.com, Italian artist Francesco Vezzoli, whose works usually start at around $80,000, has created his first multiple in aid of the areas affected by the earthquake in the Emilia region. All proceeds from the 399 pieces will go to the FAI (Italian National Trust) fund for the reconstruction of the Finale Emilia town hall damaged by the earthquake on May 20th, 2012. You can pick one up here while they last.
“Having filmed the seaside and the beach so much, I could be taken for a specialist. Here I show a photo of the sea and we can imagine the wind which, at that moment, whips the crest of a wave up into jets of water. I also propose that the movement which continues the image is cinema, another representation of the seaside, we hear the last wavelet that comes and flattens itself on the sand, well, the sand is real sand, it’s reality,” says the iconic New Wave film director Agnès Varda about her new exhibition at the Centro Andaluz de Arte Cntemporaneo in Seville, Spain. The exhibition, entitled The Twin Shores of Agnès Varda, presented in collaboration with the Sevilla Festival de Cine Europeo, shows short films, photographs and installations by the French filmmaker. The Twin Shores of Agnès Varda will be on view until March 31, 2013 at Centro Andaluz de Arte Cntemporaneo.
Love With Stranger x COCO, a new publication by Los Angeles-based artist Margaret Haines, is one in a series of ‘trailers’ for her forthcoming feature-length film Coco (Fall 2012). Previous ‘trailers’ have included a performance at Los Angeles Contemporary Exhibitions (LACE), a sound installation at the Cirrus Gallery, and a sculptural presentation at Commonwealth and Council Gallery in Los Angeles. It explores different tropes of female identity – mixing personas, identities, some parafictional, some actual. Based on the narrative structure of Don Quixote, the book revolves around three female protagonists—Coco, a character that appears in Haines’ forthcoming film; Los Angeles artist and cult figure, Cameron (1922-1995), famed for her role in Kenneth Anger’s Inauguration of the Pleasure Dome; and Haines’s own ruminations. This Thursday, January 20, Ooga Booga will be hosting a launch for the zine at their holiday pop-up shop inside Various Small Fires at 1212-B Abbot Kinney Blvd, Venice, CA 90291.
For over forty years, New York-based artist Judith Bernstein has created expressive drawings and paintings that boldly critique militarism and machismo in a manner that is at once humorous and threatening. Her exhibition, entitled Hard, at the New Museum in New York will include a selection of works ranging from the ’60s through the present, including a new site-specific rendition of Bernstein’s Signature Piece (1986/2012), painted in explosive gestural strokes directly onto the Lobby Gallery windows. Hard will be on view until January 20, at the New Museum, 235 Bowery, New York, NY
Fashion film, entitled Las Bandidas, directed and film by Mathew Wilkinson, starring Cara Delevigne, Clara Paget and Suki Waterhouse for MCS London (My Crazy Scrunchie).
Polka Galerie’s presents a cycle of three exhibitions featuring different ouevra’s of legendary Japanese photographer Daido Moriyama. To celebrate part 3, featuring Moriyama’s photographic silkcreens, the gallery recreates the photographer’s 1974 “printing show” performance where he makes a unique silkscreen print on the paper of the audience’s choice. Daido Moriyama’s “Silkscreen” exhibition will be on view until January 12, 2012 at Polka Galerie, Court of Venice – 12, rue Saint Gilles75003 Paris, France
Bonniers Konsthall invites Los Angeles based artist Sterling Ruby to present his first solo exhibition in Sweden. Sterling Ruby, whose been named one of the 2000s most interesting artists, works in a mixture of materials and genres, from glazed biomorphic ceramics to drawings in nail varnish. He takes his subject matter from a wide range of sources, including maximum security prisons, urban gangs, modernist architecture, and the mechanisms of warfare. His works can be seen as a form of assault on both materials and social power structures. The universe of Soft Work is by first look playful, soft and humorous but will soon reveal a dimensions of fear or terror. The artist transforms pillows, blankets, and quilts from objects of comfort into ominous sculptural objects that hint at the possibility that safety and security are an illusion. Here the American flag is used as material in gigantic vampire mouths and obese stuffed animals hangs from the roof like macerated cadavers. On view until March 17, 2013 at Bonniers Konsthall, Torsgatan 19, Sweden.
Daniel Arsham at the opening of his exhibition Reach Ruin at the Fabric Workshop and Museum in Philadelphia. Connecting the lines between art, architecture, dance, and theater, Arsham mines everyday experience for opportunities to confuse and confound our expectations of space and form. Arsham is known for subverting existing architectural structures in unconventional, playful ways: façades appear to billow in the wind, figures seem wrapped beneath the wall’s surface. His cross-disciplinary practice, historical inquiry, and satirical wit combine into an ongoing interrogation of the real and the imagined. Reach Ruin will be on view until Mid-March 2013, at Fabric Workshop and Museum. photograph by OHWOW